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Neustar, based in Sterling, Virginia, is a trusted, neutral provider of real-time information services and security solutions to protect against the serious threat of expanding Distributed Denial of Service (DDoS) attacks.  DDoS attacks have become more prominent and Neustar’s DDoS service is an important component to protect an organization’s mission-critical digital infrastructure.  Working together, Neustar and Limelight are creating the largest global distributed DDoS mitigation network.


“As DDoS attacks have become increasingly powerful and prevalent, it is critical for organizations to invest in a solution that can outpace its attackers. We selected Limelight based on their impressive global infrastructure, technology and people. The relationship demonstrates our joint commitment to securely manage, distribute and protect digital content distribution around the world.”

- Lisa Hook, chief executive officer at Neustar.


“As a global leader in digital content delivery, Limelight is excited to be working with Neustar to help them build out the world’s largest DDoS mitigation network. The scale and scope of the Limelight platform and the technology of Neustar will produce a security solution to easily handle the world’s largest DDoS attacks. We believe with Neustar’s industry knowledge and Limelight’s network capabilities, we will be able to uniquely address the market needs.”

- Bob Lento, chief executive officer at Limelight


To read more details, here are links to the Limelight press release and Neustar’s press release.

SmartPurge has been specifically architected to execute purges rapidly, at global scale, so you can be confident that your end users are always receiving the most accurate and up-to-date content.


Here are just a few of the benefits SmartPurge offers:

  • Near real-time purging – As soon as a request for purge is received, the purged content will stop being served to the end user.
  • Cache eviction – Any and all copies of purged content are permanently deleted from the Limelight CDN. All requests are sent back to the origin to fetch new content.
  • Configurable purge parameters – Submitting and executing purge commands is simple. You can easily submit patterns instead of regular expressions, thus making the whole process intuitive. The real benefit in using patterns is their flexibility they offer in targeting content easily.


Please review the SmartPurge documentation and FAQ in the Control portal to learn more about its advanced capabilities. For a quick overview of the new purge process, take two minutes now to watch this short how-to video demo.


 The legacy Purge tool and its API that you have been using until now will reach end-of-life status on June 30, 2016. For more information on migrating from purge to SmartPurge, please see the “SmartPurge Migration FAQ” in the Control Support Documentation. We strongly suggest that you start your migration from using legacy Purge to SmartPurge as soon as possible.



Note: If you are a customer with a Control user account, log in to to see the changes outlined below. If you don't yet have an account, simply ask your Limelight Account Manager to help you set one up.


There are a number of differences in the user interface between SmartPurge and the older Purge tool:

  • In the What should be purged section
    • The choices for the Where to purge from option have changed
    • Single Site, Exact URL and Regex are replaced by Published URL
    • All Sites across Account is replaced by Origin URL or Pattern
    • In the Protocol selector, a new option - Both HTTP and HTTPS - is now available
    • In the Published URL field, entering a URL that does not have a matching Origin URL generates only an error message. The option to attempt a purge in this case is no longer available.
    • The Directory field has been eliminated because a directory can now be specified by appending its path to the Published URL.
    • A new option, Include query string, is now available. When this option is selected, query strings are taken into account when matching the contents of the Origin URL or Pattern field.
    • The Add to Queue button is now labeled Add to Purge Request
  • In the Review URLs to Purge section
    • The Account column has been removed because all items in a single purge request are associated with the specified Account (shortname)
    • The What should be purged column is now labeled What needs to be purged
    • The Resulting Regex column is now labeled Resulting Pattern
    • A new column, Include Query String, indicates which items have the Include query string setting applied
    • In the Purge result email notification section
  • The option to choose between Summary View and a Detail View has been removed.
  • When using the SmartPurge REST API, purge objects are specified with Patterns instead of Regex
  • SmartPurge requests are processed atomically (instead of one URL/Regex at a time)


If you have any questions about SmartPurge or would like to arrange a demo of the new capabilities, please contact your account manager. They are, as always, here to help you succeed.

Last quarter I wrote a blog post about how at Limelight, we pride ourselves on doing an excellent job for our customers while also doing our share in being green and reducing our carbon footprint.


As good corporate citizens, we have a responsibility to our customers, our investors, and the environment. As part of my role at Limelight, my team oversees more than 80 data centers, which produce almost 100% of our carbon footprint. We are also responsible for ensuring that we have enough physical infrastructure capacity to fulfill customer needs, while meeting our own internal efficiency goals.


Our team at Limelight has been working hard to improve in the following areas:


  • Increasing capacity so that our customers’ delivery requirements are met. Software enhancements and innovation have contributed significantly to this increase in capacity.
  • Ensuring reliability for our customers. We’ve seen record-breaking traffic and have achieved a new record for both peak bandwidth and petabytes delivered.
  • Refreshing our technology by acquiring new servers, lowering fan speeds, consolidating server locations, providing internal efficiency and lessening of the impact on the environment.


We are very proud to see the positive impact of our continuing efforts.


The following chart is a sampling that shows how we’ve improved in our carbon footprint reduction and our capacity increase in various locations around the globe:



Carbon footprint








San Jose, CA




Stay tuned for more updates as I will be blogging again next quarter to share more of the great progress we’ve been making and will continue to make.

Rhapsody, based in Seattle, Washington, was the first paid online music subscription service.  For 15 years they have been delivering streaming music to subscribers and for the same amount of time Limelight has been working closely with them to make this happen flawlessly. By using Limelight’s content delivery network, Rhapsody consistently delivers music to its customers in milliseconds across a wide variety of connected devices, resulting in a high quality listening experience. In addition, by utilizing both the Orchestrate Delivery and Storage services, Rhapsody is able to place its vast library of more than 35 million songs closer to the end-user, resulting in improved speed of delivery globally.


““The team at Limelight has genuine interest in helping Rhapsody enhance its service, and is willing to work with us on innovative solutions. We’ve had a long and positive relationship with Limelight. They are easy to work with and very responsive. We look forward to continuing our partnership and working together in the future.


-        Paul Vandegrift, Senior Director, Vendor Relationship Management, Rhapsody


Want to learn more? Check out a full case study here.

Today we went live with a new generation of our Self Service portal called Control 3.  This is the result of nearly two years (and counting) of research, design, and development focused on improving the user experience of the site.

Control3_Dashboard w border.png

New Control 3 Customer Dashboard

Here's a look at some of the benefits being delivered in this new portal:

  • Fresh new look and navigation — CONTROL 3 supports adaptable screen layout, new navigation tabs representing activities, and better search capabilities.
  • Full redesign of configuration — An improved layout and workflow makes it easier and faster to create configuration changes.
  • Full redesign of SmartPurge — Our best-in-class SmartPurge product has gotten even better with completely redesigned screens featuring easier definition of templates and clearer display of purge statistics.
  • Improved reports — Numerous improvements to existing reports make them easier to use. Later in 2016 you can expect a full reports redesign featuring even more substantial improvements.

If you are a customer with a Control user account you can go to today and try out the new application.   If you don't yet have an account- simply ask your Limelight Account Manager to help you set one up.

Beneath the multiple topic tracks at the 2016 Game Developer’s Conference —which ranged from AI to Esports to community management—a silent competition was waging right in the center of the Expo floor. This year, game engine companies Epic, Unity and Crytek returned to the center of the exhibition space, only to have to share it with new arrival: Amazon’s Lumberyard.


In their effort to attract the best and brightest of the world’s game developers, the engine companies are borrowing from the phrase ‘If you build it they will come” by betting on a new version “if they build on it, they will stay”.  This year there is more at stake than ever before as two huge developments hit the gaming industry and developers need and want help with both of them.  The first development is virtual reality—developers need and want help integrating the best player technology with the best rendering and design technology to help them build high quality games that feature the best aspects of this rapidly growing phenomenon.  The second is player to player connectivity—developers want tools that enable their gamers to connect with each other even more seamlessly than before. Not only is connectivity key to the competition that drives Esports, but it’s key to integrating gaming with gamers’ social circles.


So let’s take a look at the turf staked out by each of these companies, as well as the economic model the companies have put in place to incentivize developers to 'build and stay'.


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Epic spent a morning session highlighting the advanced features of its Unreal 4 Engine and made it clear they see a future for their developers that spans beyond gaming into state-of-the art product design, virtual reality applications, and film creation. Their wide-ranging talk included several stunning demonstrations to prove their point. In one, an actress’ every movement and emotion were incorporated in real time into a game world, plus digitalized for future possible use. The result was a powerful fusion of live human action and the fantastic world of a 3D game. In another demonstration spilling over into real life, the Unreal Engine 4 was used to create realistic car designs, so detailed they could actually be used in custom building the McClaren automobile (one of which was on display at their booth). Epic is blurring the lines between cinematography and game making, as well as fully embracing virtual reality. Everything demonstrated in this talk showed they are serious about their intent to own the high end of visual production and design.


The revenue model for Epic reflects their confidence in the engine. Over a year ago they started giving away their engine for free, in return for a 5% percent cut of a developers’ product or game revenues once they hit a certain amount per month. By empowering high-end creativity, they position themselves to share in major successes, but also take on the challenge of providing a highly sophisticated solution that is extremely powerful.


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Crytek released its CRYENGINE V at GDC which will provide integration with an impressive range of virtual reality solutions and hardware, Playstation VR, OSVR, HTC Vive and Oculus Rift. Crytek also announced new partners in its VR initiative, aimed at supporting VR research and development at leading universities by providing hardware and funding. AMD, Leap Motion, OSVR, and Razer are now partners in this initiative. Crytek business development manager was quoted as saying “Now we are much closer to our goal of forming a global VR community.


The business model for Crytek’s engine is based on offering developers a community, not just for marketing and selling their games, but for actual IP as well. Crytek gives away their engine for “whatever developers want to pay” and includes with it, access to the CRYENGINE Marketplace. The Marketplace offers thousands of game assets created by CRYENGINE users, including those collected by the company over the years. Given the impressive set of games developed on CRYENGINE  no doubt this is a rich source of material for developers.


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Unity, which physically dominated the entrance to the Expo announced its release of Unity 5.3.4 and 5.4 public beta. It’s response to the AR/VR phenomenon has been extensive and year-long. As part of the show they announced support for Nvidia’s VR Works. VR Works includes API’s, sample code, and libraries for VR developers that speed up and improve device integration and graphic rendering.  In addition, they have made manipulating VR scenes even easier with a “Chessboard” system that puts a miniature version of the VR scene into the larger screen, making the scene easier to manipulate as a whole. Like Crytek, Unity has a “Made for Unity” asset store where developers can download free assets to enhance their game.


The monthly user base for Unity is huge (over 1M) and adding significant new features while maintaining stability is not trivial. At the show they emphasized the many accomplishments of the past year, including adding AR/VR plugin optimization. As far as connectivity goes, they announced that Unity Multi-Player is out of beta and available. This new offering allows developers to create multiplayer games using Unity’s servers, makes it easy for gamers to connect with each other, and is extremely scalable.


Unity’s economic model is based on a monthly charge of $75 for the “Professional” version of its engine, plus a charge for using its servers for concurrent game players. The concurrent player charge scales up depending on how many gamers there are how much messaging is taking place. Unity has a global infrastructure of servers in the US, Europe, and Asia that support its multi-player games.


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Amazon’s Lumberyard game engine was the newcomer to the party and they too showed up with a game engine they are giving away for free. Lumberyard is described as  a “free, cross-platform, 3D game engine for you to create the highest-quality games, connect your games to the vast compute and storage of the AWS Cloud, and engage fans on Twitch.” Many game developers and publishers are already familiar with Amazon’s infrastructure offerings, including its storage, S3, and compute instances, EC2. Providing an engine that links seamlessly to this infrastructure (and generates revenue while doing so) is another way to tie developers in so they will stay. Lumberyard also provides two solutions for connecting with players: ChatPlay and JoinIn. ChatPlay allows Twitch viewers to directly influence and comment on game play, and “JoinIn” provides one- click ability to have a gamer play against a broadcaster.


The revenue model for Lumberyard seems to be aimed at building usage of Amazon’s prodigious infrastructure, as well as the user-base for Twitch.  The engine is free, but developers pay for their use of servers, storage, and other infrastructure.


In their race to be the platform of choice, each engine has had to decide where it will optimize the developer’s experience. And for mature engines, the challenge to keep innovating while serving a huge installed base is tremendous. Putting themselves at the center of the GDC floor showed all four of these companies know what is at stake as a whole new era of opportunity hits the gaming world.

Today we released findings of our second annual ‘State of Digital Downloads’ report. This study is part of Limelight’s series of annual surveys exploring consumer perceptions and behavior around digital content. Key findings may surprise you.  They include:

  • The mobile phone is the most dominant device for downloading content
  • Beyond OS updates, Movies/TV Shows, Music, and Apps are the most popular downloads
  • Consumers tend to download most often at night
  • Download speed is critical to providing a great experience
  • When things go wrong with downloading, typically ISPs are blamed
  • Google is winning the content war but Apple isn’t far behind
  • Android is the most dominant smartphone for downloading content but comes in second with tablets


The survey was conducted by a third-party organization with access to U.S. and international consumer panels. In all, 1,136 consumers ranging in age, gender and education completed the survey.  A copy of the press release is posted to our website, and can be found here and the complete report is available here.

Would you like the opportunity to help your peers learn from your experiences?  We’re seeking Limelight customers to profile how you’re leveraging our technology to innovate, grow your business and improve your customers’ experience.  Join Arsenal Football Club, OTT company Dailymotion, retailer Costume Supercenter and many more diverse organizations from the established to start-up around the world and tell your story.  Simply leave me a message here or email me at and I’ll contact you to discuss how you could be featured here.

Access control is more than a passing fancy for many Limelight customers. In April, 2016, we will have many features in the Orchestrate Platform to help control who can access what, from where. We recently merged two access control features: ACL  (Access Control Lists) and  Geo-Fencing. For quite a while, we have had support for Geo-Fencing and ACLs. Geo-Fencing enables customers to allow/deny access based on an end-user's geographic location. ACLs enable customers to allow/deny access based on end-user IP address or HTTP Method. In the original implementation, Geo-Fencing and ACLs were separate processes and were difficult to use in concert. The new White/Black Listing IP and Geo-Fencing is greater than the sum of its parts.


In the new implementation, Geo-Fencing and IP ACL are combined into a set of access control rules. The new service allows IPs to be organized into "Groups". IP Groups and IP geo-location data are treated in the same manner. Access control rules are processed in the order in which they are written. The first time and IP address is found in a rule determines how that IP will be treated. Mixing and matching IP Groups and geo-location  rules is considerably more flexible than the disparate legacy systems were.


  Feature of the new system include:



HTTP Method

Allow/deny access based on HTTP method. Option: get/head/options/post/put/delete


Allow/deny access based on geographic location of  end-users IP address

IP Groups

Allow/deny access to a group of IP address.   IP ranges in a group can be defined by: get/head/options/post/put/delete

Anonymous  Proxy

Allow/deny access to end-users who are routing their requests through an anonymous proxie


Allow/deny access to all


Example:  has licensed distribution of the World Championship of CalvinBall (WCCB).  Their license limits them to European distribution. Advertising partners paid big bucks to bring WCCB to Europe. The partner offices are spread around the globe and must have access to the WCCB content. The licence agreement is strict and requires the blocking access from anonymous proxies.


An ordered set of access control rules can be constructed to enable  to meet their licence agreement and bring WCCB to Europe.

Calvin Ball.gif

Rule Order





HTTP Method

Allow get/head/options

Because WCCB  is a live video event  HTTP methods will be restricted to  get/head/options



Allow Advertising_Partners_List

Explicitly allows any IP found in the Advertising_Partners_List access to the WCCB Event



Deny Anonymous Proxies

Explicitly denies access to WCCB to any know anonymous proxies



Allow Europe

Explicitly allows access to WCCB event to any IP in Europe



Deny All

Denies access to any end-user who has not been given access by the above rules. ALL should always be the last rule.

One of the largest Esports events in the world just took place this weekend - the Intel Extreme Masters (IEM) World Championships in Katowice, Poland.  IEM Katowice featured three games - CounterStrike, League of Legends, and Starcraft II.  Qualifying tournaments have been running all over the world for the Finals in Katowice, and each game’s championship match offered € 500,000. And lots of people were watching the action—live and online. In fact, online viewership for this 3-part tournament likely exceeded last year’s 2.3 million peak concurrent viewers and 4 million Youtube views.



What a lot of people don’t know, though, is what goes on behind the scenes of these events. From player preparation to live-stream logistics, there’s a ton of activities happening. In a recent webinar (full disclosure: Limelight Networks hosted the webinar) with Fnatic’s CEO Wouter Sleijffle, we took attendees behind the scenes to look at how professional sports agencies, like Fnatic, prepare their teams for this intense competition and what’s required to host a world-class live streaming event. Here are a few highlights:

  • Player preparation happens on multiple levels. Players have to be prepared physically and mentally to hold up to the hours of intense live action on stage. Wouter shared that part of this preparation is being able to rely on teammates, and spending time together away from the game, even occasionally living together in training venues as a way to build trust and connection between teammates.
  • Developers have a role to play in preparation. Wouter had some advice for game developers—create training tools that let coaches and analysts improve game play.  Don’t hold back exciting game play for the top levels - make all levels exciting.
  • It’s not all about just playing the game. Are you a couch potato convinced hours of game playing will make you the best?  Not so, it appears. Fnatic puts a surprising amount of work into the physical fitness of their players, including healthy eating and sleeping habits. It’s all designed to keep the mind as sharp as possible.  And flexible too.
  • The competition is never over. Think that a professional gamer’s work is done after the event? Not according to Wouter who feels that data analytics (post-match analysis) plays a crucial role in future success. In fact, Fnatic now employs not one but two analysts to dig into game play data, competitors and match data.


Does all this preparation work?  Turns out it does - really well.  The results from Katowice are in:




Limelight and Cedexis were both on hand during the webinar to explain how live event gets transmitted to millions of fans around the world who are watching from their PC’s, phones and tablets. Delivering broadcast quality coverage to this audience, especially when they are watching from all around the globe, on hundreds of different devices, is a huge challenge.  Luckily many of these challenges have solutions that have been tested and proven successful by other industries that deliver live events:

  • Planning is key. Preparing for a live event actually requires careful planning and an experienced team. For an online audience to receive broadcast quality requires that a broadcaster’s entire workflow, from the stage cameras to the encoding and transcoding to the content delivery, is architected to eliminate latency and handle sudden spikes in viewership.
  • The public Internet is not the right solution. If you want to create a high quality experience for your audience relying on the public internet is a poor choice.   Some of the  the reasons for this are that Esports audiences are truly global and  the size of these audiences can be large and unpredictable.  Congestion from other events on the public internet can interfere with a smooth broadcast, or ruin the quality of a broadcast for an entire region.
  • Build in redundancy. By choosing between 2 or more CDN’s for your broadcast, you ensure capacity for every log-on. Two or more CDN’s also allows traffic optimization between the CDN’s for each CDN investment you get the most out of that investment.

For more on how to satisfy Esports live event viewers, and how the pro’s prepare for these amazing contests, you can listen to the whole webinar  here.



Photos Courtesy of Edwin Kuss, March 2016.

Though it's early in the year, there are already 11 events on the docket for 2016 that promise large viewing audiences and huge prize pools.  The guerrilla among viewing events of course is Intel Extreme Masters (IEM) which is working with ESL to put on the IEM finals in Katowice, Poland in March. Featuring three extremely popular games from three distinct publishers, League of Legends, Starcraft II, and CounterStrike, this three-day tournament attracts a huge crowd and creates tremendous cross-mingling of Esports enthusiasts from different game camps. Not only did 100,000 people attend the live event all three days, but the League of Legends World Championship portion garnered over 35 million online views on Twitch and over 4M video watches on Youtube.


For prize pools, the current leader is Activision's Call of Duty World Championship which has already promised a $3M prize pool for its year long tournament ending in the fall. However a newcomer, Turner Broadcasting has grabbed second place as of today with its promise of $2.4M for ELeague.  ELeague will feature live TV play of  CounterStrike "Eleague"  for 2, 10-week periods this summer.


Tournament schedules can be complicated but it's for good reason.  Esports is seeing aggressive growth at both the amateur and professional levels. A look at the schedules shows publishers and organizers working hard to bring these two competitive streams together.  Most schedules feature lengthy amateur qualifying periods, second chances, and selective merging of professional and amateur competition.  The result?  An extended build up of tension and uncertainty around the final line up that makes for great finales, and hopefully well-earned prizes.


So here's what's on the calendar, and the prize pools that have been announced to get you in the game:






Dates; City

Prize Pool

World of Tanks

Wargaming North America Finals


Wargaming, Intel

April 8,9; Warsaw



Winter Series Live Championships



March 18; March 25; Online



World Championship Finals



March 19,20


LoL;   Starcraft II; CS:GO

Intel Extreme Masters

Riot; Blizzard; Valve

ESL, Intel

March 4-6; Katowice


Dota 2




April 23; Manila



ELeague (CS: GO)


Turner, IMG, WME

May 27 (10 weeks); Summer (10weeks)


Dota 2




June 18; Frankfurt






July 8; Cologne



Interactive World Cup


EA Sports FIFA

Summer, 2016



World Championship



Fall 2016; TBA



World Championship



Fall 2016; Blizzcon



And we can expect pretty high viewer numbers for these tournaments as well. Last year online tournament watching repeatedly broke its  own records.  For example, the ESL One CounterStrike tournament last year attracted a record 27 million online viewers online. ( Compare this with the recent USA Super Bowl which broke its own record this year with 3.6 million people watching it online).   2016 is likely to bring new records, even as the sport gets crowded with new tournaments.


So turn off the TV and power up your laptop/tablet/mobile phone for these major online events.  And if we've missed one that should be on here, let us know. Additionally, to learn more about what it takes to produce a major sporting event online, see Jason Thibault’s excellent blog:  Super Bowl 2016: What Might We Expect from the Technology?

The global audience for Esports is on track to rival the size of the American football audience by 2017. Dedicated American-style football fans number about 151 M, and the equally dedicated Esports audience is projected to reach 145 M[1] by 2017.  Though impressive on a global scale, to date North American audience size has lagged behind Asia’s Esports audience size at just under 15 M while Asian audiences have reached three times that size (49 M as of 2014) [2] .

2014 and 2015, however, saw major North American publishers and broadcasters make definitive moves to committing to the success of Esports. In December, Electronic Arts announced it was forming a Competitive Gaming Division and putting its longtime FIFA Interactive advocate, Peter Moore, in charge.  Not only did it recommit to its current competitive leagues, but it promised to develop new events “as well as the infrastructure” in order to deliver a “best in class program”.   With this announcement one of the largest, most profitable North American game publishers not only recognized the brand development potential of Esports, but moved to consolidate its franchise.

EAEsports.jpg                              CODWL.jpg                     http://

Not to be outdone, Activision announced early in 2016 that it had bought Major League Gaming (MLG), and that MLG’s senior leaders would come aboard with the acquisition.  In doing so it acquired significant tournament production and promotion capabilities with strong North American market presence.  The new venture is goaled on being the “ESPN” of Esports, meaning it will work with all games, not just Activision’s.  In fact, Valve’s CounterStrike game has been steadily building Esports audiences, and in 2016 will be the centerpiece of a tournament produced in North America with MLG.  The final will play to a live audience at the Nationwide Arena in Columbus OH. Earlier in 2015 Activision announced its Call of Duty World League - a self-contained competitive structure designed to take regular players all the way up to national competitions.  With skilled production and promotion, this incredibly popular game could fuel a sizeable Esports audience.


Equally significant for 2016 is the new arrival of two broadcast networks to Esports.  In the fall of 2015, Turner Broadcasting Studio announced it would broadcast 20 weeks of Esports competition in 2016, featuring above-named Valve CounterStrike competitions.  While it’s not clear yet when during the  summer TBS will broadcast, the timing may allow for it to overlap with major Esporting events going on Europe and North America.




And… just as 2015 came to a close, ESPN made its announcement it was setting up a separate vertical to handle Esports.  Now the website features experienced industry writers who provide full coverage of Esports teams and industry developments all over the world.  In a silent nod to the newness of Esports for American audiences, the site provides expert summaries of the of the leading games involved in Esports.


There are also indications that the business model will begin to evolve beyond free and public platforms like Twitch and Youtube.  Ashttp://http// Kotick, CEO of Activision commented about the purchase of MLG,


We think user-generated-content networks are great and widely available,” he said. “This is really focused on premium content.”


Under a premium content model, the audience experience and viewer loyalty will take on greater importance.  It’s clear that North America will be treated to a whole new wave of Esports and brand-building events that could greatly increase the Esports audience.


[1] The Global Growth of Esports. Research Report. 1.0st ed. Vol. 1.0. Amsterdam: Newzoo, 2015. Print. Esports.

[2] ibid.

HortusTV is a small startup whose mission is to create a website focused on gardening. They needed a video solution that would be easy to learn and had detailed regional analytics. Since Limelight had a great relationship with their developer (also a Limelight customer), and our Video Premier package had everything they needed (and more!), it was the perfect fit for HortusTV to grow.


“I needed a robust platform that could handle the capacity that I anticipate, with the best features and security, and Limelight is the service that my developer recommended. We researched several options and chose Limelight.”

– LIZA DROZDOV, President-HortusTV


Check out the full Case Study!


Interested in gardening videos? Go to! (Coming soon to the U.S.)

Online video consumption continues to rise while consumers’ tolerance of interruptions and ads declines according to our second “State of Online Video” research report released today.  The report reveals a rapid shift in online video viewing, especially amongst MillennialsKey findings include:

  • More than 83 percent of consumers watch on-demand video, an increase of four percent since April.
  • Consumers want to cut the cord, but they may not want to pay for Over-the-Top (OTT) content either.
  • Millennials are far more likely to subscribe to over-the-top (OTT) services.
  • Apps on Smart TVs are the go-to source for viewing video on the television. 
  • When it comes to OTT devices, Xbox is leading the market with Sony close behind.
  • When videos get interrupted, viewers abandon.
  • Fewer people are sharing their videos online but when they do, it’s on Facebook with YouTube a distant second.
  • There is a growing anti-advertising sentiment among online video viewers.


“The world of online video is anything but predictable,” said Jason Thibeault, senior director of marketing at Limelight. “Even in the few months between our April and December studies, we have seen a significant shift in how people choose to consume content. Organizations trying to take advantage of this changing landscape—from traditional broadcast to online video—must keep in mind how easily things shift as operational and business flexibility is paramount to achieving success.”


A copy of the press release can be found here and the full report here.


Going (Limelight) Green

Posted by egalioglu Dec 10, 2015

At Limelight, we pride ourselves on being green--if you’ve seen our logo, you know we have an affinity for the color green: “Limelight” green, to be precise.


But you may not know that we also pride ourselves on our “green” commitment to reducing our carbon footprint. In my role as Vice President of Planning and Logistics here at Limelight Networks, I’m responsible for ensuring that we have enough physical infrastructure capacity to fulfill customer needs while finding ways to drive greater efficiency across our many locations. Combined with my passion for going green, we have what we think is a winning strategy for fulfilling our corporate responsibility to reduce our carbon footprint and achieving great customer satisfaction. How are we doing this?


We’ve spent time looking at our data centers across the world to determine how we can use our servers more efficiently while providing reliability and capacity. Some results that you may find of interest are:

  • Increasing capacity so that our customers’ delivery requirements are met. We’re doing this by having faster network speeds, more POPs closer to where customers are.
  • Ensuring reliability for our customers. We’ve seen record-breaking traffic and have achieved a new record for both peak bandwidth and petabytes delivered.
  • Refreshing our technology by acquiring new servers, lowering fan speeds, consolidating server locations, providing internal efficiency and lessening of the impact on the environment


Thus far, through actions such as those listed above, we have been able to reduce our carbon footprint by over 20% at the sites where we have completed our work. And we’re not done yet! Stay tuned for more updates as I will be blogging quarterly to share with you more of the progress we’ve been making.